So Much Depends Upon

Randall Brown

 

I drag the red wheelbarrow up the hill, the handle too big, its tires banging into my heels and ankles; atop the hill, another me appears, to watch as I'm jolted on the ride down, to yell, "Hold on," to rush down when the wagon topples over and I am thrown away.

I call my mother to say Happy Birthday. She says, "Happy, hah, if you only knew the shit I was going through."

Do you know what Sisyphus did to earn his punishment of an eternity of rock rolling? When Death came for Sisyphus, he chained Death in his closet and no one could die and the limbless wandered the earth, full of phantom pains and phantom reaches for things and people they could not grasp.

In my dreams, pills drop as if shaken from a bottle the size of heaven. I want the orange one.

My mother repeats "I love you so much" until her voice deteriorates into something like silence. This has nothing to do with me.

And Atlas, too, could not stand the boundaries Fate demanded of him, so he left the earth to march upon Mount Olympus, only to find himself with the earth upon his shoulders. Perseus used Medusa's head to turn Atlas into stone. Imagine this stone as the mountain upon which Sisyphus rolls his boulder,  the rock as the world, the punishment of rebellion against one's parent to be as permanent and fixed.

The other me finds me too late, the pill already dissolved, me already beginning to be okay with my brokenness without him.

I catch coherency now and then in my mother's talk--rehab, assholes, sorry, stop, car crash, scratches, let off.

The other me says, "I don't matter."

My mother stops. "Are you still there?"

I should tell her about the red wheelbarrow hurtling toward something, of going forward while also leaving something behind. Our hill, our backyard, and she lay stretched on a lounge chair, covered in baby oil, glistening and untouchable.

"I'm hanging up," she says.

I wanted to run her over but couldn't hold on.

"This is it."

"Hold on!"

In the waking world, the body arranges itself for sleep. The muscles draw themselves tight, the eyes unbalance themselves, until the body slows down and the muscle relax, and the vigorous life of dreams is counterbalanced by the paralysis of our bodies. We are immobilized by dreams, not because of any inherent weakness or lack of courage, but because we must be; otherwise, each night, we'd thrash ourselves to death.

I'm overturned and cannot speak. My mother holds her empty glass in the air and shrieks: "Get up! Get up! Can't you see I'm burning?"

The sound of the footsteps, like a rain of rocks, as the other me runs down the hill, past my body, unable to reach to grasp his arm or leg—and he snatches the orange glass and brings it back to her, a chalice brimming with ice and Maker's Mark bourbon.

 

Author’s Bio:

Randall Brown is a teacher who lives outside of Philadelphia with his wife Meg, a cabaret singer, and their two children. He is a Pushcart nominee, a fiction editor with SmokeLong Quarterly, and on the editorial board of Philadelphia Stories. He holds an MFA in Fiction Writing from Vermont College and a BA from Tufts University. His stories, poems, and essays have been published widely, with recent work appearing or forthcoming in Clackamas Literary Review, Del Sol Review, Cairn, The Saint Ann's Review, and Connecticut Review.  He’s currently working on a short short collection, Mad To Live.